Oil painting Art blog by Lucas Art

Useing points and line of the screen as a screen artworks, the characters and scenes with a simple sketch of a general approach to give the audience a sense of time flow. The metaphor of the screen so that the surface calm, due to a sudden event, and become very strange and a sense of suspense, fully demonstrated his oil painting is photography, television, film and other media re-extension is revealed by the media and photo images of real deprivation, while maintaining a unique aesthetic painting charm. Pieter H. 2002 map of the 11th Documenta Kassel invitation, specially created with the “9.11″ related work “Still Life” (Still Life, 2002), the 347 × 500cm for the huge face of Still ambiguous painting, kettle and artists after the fruit was placed in the context of the open. The theme of ordinary objects and abstract art paintings of the proportion of poor, extremely enlarged ordinary people are familiar with to make it beyond the usual visual experience, radical and noisy in the literature show wrapped, with incredible calm and deep allure Because of this, the artists in the simplest way should imply that the existence of the world’s natural purity and did not order the destruction of the stable, just come down from heaven in response to physical and psychological terror against humanity can not be caused by the elimination of the shadow and non-bridging the cracks.

Pieter H. Map of the oil painting, very historic, images hidden under the spirit of many means can be seen, including the canvas art painting, the history and the story of mankind, through the exposure of color processing and selective visual information to emphasize or delete will be the main object and background as to streamline contours, giving a vague sense of objects and suggestive. Pieter H. in Figure, the performance of the unfortunate history of more value. He imitated, misappropriation, translated a number of ways, such as the selective reconstruction of picture elements, implicitly deal with the history of conflicts and problems, so that historical event in its unique way of painting emerged in an effort to allow the audience to have a deeper understanding of history . He has represented Belgium in the 49th to participate in the Venice Biennale’s works, “Tooker(beautiful white)” (Mwana Kitoko (Beautiful White Man), 2000), the painted face of a blurred Officers dressed in white uniforms of white men, while at the same time creating the “statue” (Sculpture) depict a black African slaves dressed men, whites, “beautiful” appearance with the black in sharp contrast to the inherent simplicity, and juxtaposition of images between the two, but also highlights the Belgian Congo’s colonial rule of the great allegory of darkness, against trickery, gore, evil colonialist aggression. This confusion noise in the present society, Pieter H. chart his own way on a fragment of history, in this sense, he is not only a painter, but also a historical record, and his work has its own unique aesthetic connotation.
Figure paintings Pieter H. In addition to the impact of European painting, but also can see the art of traditional Chinese painting factors. “Amnesia” (Amnesia, 1980 years) has a China oil  painting of the oval-shaped composition, free and easy the pen, the color, the painting has also written on the bottom of the three Chinese characters “memory loss”, is more interesting is the artist will also be a all-black home in the next image, and not only highlights the theme of amnesia, but also do not have atmosphere.
Pieter H. chart art because of its unique style of painting has been widely recognized, the painting prices have soared to one million U.S. dollars mark. Not only is he a popular commercial artist circle, but also contemporary art circles the star figure, the master artist, his work frequently in the last ten years access to the major contemporary art Biennale, some were income of many European and American Art Institute teaching curriculum. In 2004, Pieter H. by the international arts map the most authoritative British “art criticism” magazine’s 100 international artists, one of the powerful. Expected to commence in September this year, the United States Columbus, Ohio Arts Center and the San Francisco Museum of Modern Art will be holding its large-scale retrospective.

The development of Western oil painting from Impressionism to Modernism, color can be played to the extreme. A large number of works such as red, yellow and blue colors of the color flavor and avoid narrative, there are means to promote the form of; and contemporary art  paintings, works to turn the connotation of the most important color was detached to become the contents of expression auxiliary means, and even the efforts of artists tend to let the audience ignore the color out. However, after the color pulled out, inadvertently also show a unique and elegant simplicity, that shine the other hand, the best color from fiery form the visual Xujing and stones, has become a new aesthetic tendencies. 80,90 As the 20th century, developed during the younger generation, the Belgian artist Luc plans contemporary Pieter H. This is the most typical characteristics of one of the representatives.
Pieter H. Figure visit to Beijing in 2007 when the National Palace Museum, Chinese painting had intended to issue a pen with emotion: “I am the face of such portrait painting, in the eyes of Westerners, almost modernist approach, objects are either very sparse or omitted . the image is the outline of an idea. “His way of painting – seem to have the characteristics of Chinese painting freehand, though his works full of historical photos for the material, however, the specific image of the original, color pulled out, leaving Under the streamlined contours or blurred images, one of the objects can be identified as scenes and content give people a sense of uncertainty ambiguous, convey a risk of anxiety and gloomy. Trace its source, and the artist’s childhood memories of the feelings.