Oil painting Art blog by Lucas Art

After entering the new century, including the visual arts including oil painting faces new environment – on the one hand, high-tech technology and the popularity of digital imaging, into our “image flooding” of the times, life-like images at your fingertips; On the other hand, Drawing on the traditional concept of national reunification, constraints and reducing the teaching of Chinese oil painting in painting and painting value and status. However, practice in the arts, oil painting is still considered a teaching and mastering the process of painting techniques and the basic means necessary, most artists are still painting and artistic creation as an integral part. It is obvious that today’s “Painting” is not the past, “Sketches”, either outside or indoor painting light painting, whether it is inherited Hao, Huang Quan of the painting, or the study of painting impressionist painter, painting purpose, significance and specific methods have undergone profound transformation.
This is the core of the transformation of turning from the record of performance, from the focus on the real object shape shift caused by the images of real feeling and emotion. Of course, in the face of objective painting images that we are here to explore the premise of the question sketching. But two centuries of Western painting painting is one of the major changes in painting are more and more inclusive of the subjective feelings, more and expand the imagination to paint. Sketches of people engaged in all aspects of painting very prominent position, no longer “stereotypes” to record images, but “freedom” and “sincere” to the feelings of self-expression. A variety of artists motivated, adopt a variety of painting in different ways, not necessarily drawn to convey the appearance of the object, but rather to convey the feelings of the artist’s works. Watch the focus of painting works painted by the artist what the artist is how to turn to painting. Sketches of the selected object does not lose all meaning, but the artistic value of painting works to the artist has long been how to deal with the screen tilted.
To participate in oil painting from the exhibition’s works of contemporary artists can be seen in different aspects of the pursuit of painting. Of course, the pursuit of these different character and temperament of the painter, but in the works of temperament factors of personality, his habits along with the concept of style, by his master to achieve the means of painting. Concerned about different painters painting different form factors – color, light and space to deal with, the structure and plane partitions, pen to pen and so powerful. As a result of the concept art, art interesting differences, each person in these areas have different focuses. Artist or the art of literacy so that he has a certain length and to highlight a particular aspect of a painting effect. From the special nature of painting, these artistic differences and the different types of “long-item” should reflect the artist and the portray of the special link between the object, that is the perspective from which to select the artist and his painting depicting the object, the object in the under what circumstances, so that the point at which the artist moved, and he succeeded in painting the face of the object at the time of presence of mind or thoughts on the screen, and then communicated to the audience. This suddenly appeared here and now context record is unique to painting works of artistic charm.
About the artist painting the traditional meditation alone, in the “answers” based on the “nine Kutami a stop.” So painstakingly built up from work, of course, painting works with unparalleled integrity, depth and richness. Conditions for the existence of painting painting lies in its emphasis on the thinking of the feeling that it’s “a sense of the scene,” the artist is painting the face of the object when the emotions and feelings of the continuous hair. This makes his work is not complete, not in depth, but also with a freshness. Viewers face painters painting works, the association will always be special, he seemed to work together with the artists at the same time to face the same object, as if the artist painting in the process of experience.
If the nearly half a century of Chinese Oil Painting works with the family, we will find that the early oil painters of the “realistic”, “肖似” and “vivid” and learning is the pursuit of a combination of painting techniques; to the late 20th century , Chinese painting to enter the pan-politicization of the period, even in painting, but also careful attention to social and historical content; contemporary painting house painting, painting is often the target for the artist to express feelings of primers in order to sketch the course of their artists to “look home “capability of the platform. The universal trend is the “freehand” in the dip of Oil Painting, China Painting and Calligraphy freehand Oil Painting tradition provides a wealth of art resources. Freehand scholars advocate “by the emotional choice,” “Poetry does not seek workers with a decent” and the speech though not necessarily for all well-known oil painter, but in fact this concept has become the development trend of painting sketch.

And “freehand” in oil painting at the same time affects the development of painting in contemporary art and the specific objects perceived link between the increasingly weakened. Such is the background to further a variety of Oil Painting, freedom of morphology, there is also the need to sketch a profound challenge. From the “Oil Painting Exhibition” entries, in the full play to “freehand” and “Performance” and even “abstract” at the same time, carefully dealing with color, space, form and momentum and other factors, so that the process of painting the feeling of factors blending and emotional factors, to target the expression of the artist sketching the face of the instant impression of the work, the more the audience can achieve the effect of infection. Over-cut factors that reduced the specific visual approach, the inevitable reality-oriented painting blocking the links between images. For some styles of painting, this practice may make it into a new space for development. As for the painting paintings, this is actually a denial of their raison d’etre. “May not like between the” art of the ancient Book of Proverbs, for Oil Painting is still valid in the guide.