This hot summer, destined to become a part of the most popular artists busy season. Oriental countries that currently make it difficult assembly with good works. The spring film shoot only Eastern country to sign a piece of watercolor Xia Na,size not a result to 132,000 yuan by a body incorporated into art. The women in the agent of the gallery artists are also alleged to have broken the file. At home and abroad market, Xia Na substantial oil can easily sell a million.
A few years ago when the domestic oil painting market quiet, gallery or auction the majority of buyers for overseas investors or collectors, they cultivate the Chinese market has contributed to oil painting. Now, some people worry that once the domestic market through improper means, the scare of international collectors, that might affect their purchase of China oil painting of the passion is still in the initial stage of the Chinese market disadvantage of Chinese artists to the world stage is also a negative.
China oil painting art from scratch to today’s prosperity, it can not be denied to the West This is mainly the results of the study. The 20th century, the initial and 21 century, is decisively different from the era of two hundred years ago from the revitalization of national prosperity and cultural point of view, we are grateful to our ancestors as the knowledge that they found in the country closed and powerful China is not only the decline and cultural stagnation, thus boldly go out of the country to the West to study the introduction of Western civilization, the Chinese have followed the rise of his oil paintings. Since then, the development of Chinese painting experienced three wave study: the first time, that is, to study the early 20th century in Western Europe and Japan; the second time in the century to learn the Soviet Union; the third time, it is the western end of the last century Hot Modern Art. The three learn of the development of Chinese Oil Painting is very necessary, do not have to learn there is no oil painting in China today, it determines the basic outlook of Chinese oil paintings with the pattern. Chinese Oil Painting in the 20th century, apart from war and revolutionary movement, is basically in how to better grasp the expertise of Western oil complex to learn, and learn the West has become one of the last century, the basic characteristics. Of course, this learning process is the creation of oil paintings to explore the process of localization, Chinese oil paintings in various historical periods, whether it is the beginning of the century or the century of the older generation of the younger generation, in the nationalization of oil in China have made this issue its own contribution……
Zhang Zeduan’s Along the River During the Qingming Festival was painted on silk with light colors. Most of the images were outlined by black strokes, exemplifying the characteristics of painting of the Song Dynasty–neatness and fineness. A vivid reproduction of the prosperous Bianliang (today’s Kaifeng), the 24.8-cm-high and 528-cm-long scroll is an unrivaled work of art of the 12th century. As a court painting, the Qingming scroll is unlike ordinary “folkloric paintings.” Lively, humorous folkloric scenes can easily be found in Itinerant Vendors (Huolang Tu), Children at Play (Xiying Tu) and other paintings by mediocre painters such as Su Hanchen and Li Song. In the Qingming scroll, Zhang Zeduan gave a panoramic description of the activities of all walks of life on the Qingming Festival in Bianjing (present-day Kaifeng,
